‘Whalley Abbey Double Arched Windows’ Helen Worthington.

£39

  • ‘Whalley Abbey, Double Arched Windows’ by Helen Worthington.
  • This is a Framed Fine Art Print with a white overlay mount, taken from an original watercolour painting.
  • “I’ve tried to represent the beautiful old stones of the ruined Abbey walls in light and shadow, bringing texture to the larger stones with dry brush work, which I find works well to create a rough-looking finish for stone and brickwork.” Helen Worthington.
  • This image is also available as an unframed Fine Art Print, A Framed Canvas Art Print and an Open Fine Art Card.
  • The original painting is available HERE :VIEW ORIGINAL PAINTING HERE

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  • About Our Art Cards

    • Professionally giclée printed on premium matt art card.
    • Blank inside for your own message
    • Brown eco-friendly envelope included
    • Protected in a clear sleeve
    • Artwork title and artist information on the reverse

    Available in:

    • Square: 5.5" x 5.5" (14cm x 14cm)
    • Rectangle: 7" x 5" (18cm x 13cm)
    • Panorama: 8.5" x 4" (21cm x 10cm)

    Small artwork to frame and keep

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  • Mounted Fine Art Prints
    Experience beautiful reproductions of original artworks, professionally Giclée printed on premium fine art paper for vibrant colour, sharp detail, and a long-lasting, fade-resistant finish.

    Each print comes in a 2" white mount with a card backing, ready to frame or choose one of our black or white frame options.

    Note: Aperture heights may vary slightly, but the overall mount size remains consistent.

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    Giclée printed Canvas fine art parints

    Stretched on a pine frame and set within a bespoke wooden frame

    Choice of sizes

    Choice of frame colour and style

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Description

Another of my series entitled ‘Doorways, Gateways and Portals to Beyond’, I was inspired to paint this piece after a particularly lovely afternoon visit to Whalley Abbey in Lancashire, not so far from my home.  I’d taken quite a few photos and this was one that appealed to me as a subject for a painting, although it was several years before I felt ready to be able to tackle it in watercolours.

I’ve tried to represent the beautiful old stones of the ruined Abbey walls in light and shadow, bringing texture to the larger stones with dry brush work, which I find works well to create a rough-looking finish for stone and brickwork.

The reference photograph was taken in mid-spring, so the only foliage that was strong enough to clamber through the ruined structure was ivy – a particular favourite of mine.  I used a loose application of paint to build the foliage, being careful of the light and dark areas.  The ancient wooden sill was lovely to give an irregular shape against the strong grey stone lintel in the foreground.

Looking through one arched window to yet another set of windows is intriguing visually and also makes me consider the passage of time from when this building was full of stained glass, and monks, rather than ivy and openness.

Helen Worthington

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